Jazz, blues, and symphonic traditions meet, with Gershwin, Ellington, a new piece by local composer John Moody featuring pianist Joe Davidian, and a Dual-Guitar Concerto performed by Thomas Flippin and Chris Mallet.
Duke Ellington | Black, Brown, and Beige John Moody | Open Road Chris Brubeck | Double Concerto for Classical Guitar, Blues Guitar & Orchestra George Gershwin | An American in Paris
But even as he wrote hit after hit in the world of popular music, Gershwin aspired to master the complex, longer forms of classical music. He sought out lessons from…
Some sections of this piece could only be played by a masterful Classical guitarist. Other parts are written to feature a Blues master and are designed to turn the player loose, bringing all prior Blues knowledge into their improvisations. I come from a Jazz background, and I know there is nothing like…
The Open Road bridges classical structure and jazz improvisation, drawing inspiration from the vibrant sounds of the 1970s and 80s rather than the traditional swing or bop eras. The piece opens with an extended introduction driven by…
By 1943, Ellington had pushed onto the classical concert stage, and while he continued to write for and lead his big band, much of his creative energy in the next decades was devoted to blurring the distinction between “classical” and “jazz”…
